
Bien Hoa ceramics started in
the 17th century with the production of simple items such as terracotta and
brown earthenware. Porous earthenware did not really develop until late in the
19th and beginning of the 20th century. Bien Hoa ceramic gained its reputation
in international exhibitions, and was granted a Golden medal and an Honour
certificate during international art exhibitions in Paris in 1990 and 1993. The main
characteristic of Bien Hoa ceramic is its unique combination of Vietnamese,
Chinese and Limoges (France) styles.
As one drives across the Dong Nai river valley on the highway Saigon-Bien Hoa,
one can notice prosperous villages and ceramic kilns that seem to operate round
the clock. These are the well-known ceramic villages of Binh Duong and Xuan An.
Bien Hoa ceramics has both artistic and usage value. Main products include
elephant-shaped stands, round stands, flower-pots, statues and animals
decorated with fine contemporary motifs, and using light-firing glazes, light
and flowing, milky or ivory milk whites. Decorative motifs such as four
seasons, four supernatural creatures, or calligraphy poems also reveal the
influence Chinese art has exerted on Bien Hoa ceramics.
Bien Hoa artistic pieces are also worthy of attention. Some 20 years ago, Bien
Hoa artisans were successfully designing and carving folk pictures on ceramics
which created a new style of ceramic-pictures. Artistic ceramics range from
line imitated from the Cham culture such as statues of Vishnu or dancing Shiva,
to folk themes drawn from the Vietnamese tradition such as pastors, beautiful
girl, etc. Bien Hoa also produced terracotta (red ceramic) without glaze that
added to the natural and special beauty of Bien Hoa ceramics.
Two important factors have contributed to the beauty of Bien Hoa ceramics: its
skilful workers and the abundant availability of kaolin as well as of colourful
clay. Bien Hoa artisans have revealed a great talent in being able to integrate
and harmonize the quintessence of different cultures into their own production.
Products are worked on turning tables as well as in moulds. They are decorated
by incising, relief or a technique of hole making, and then glazed with colours
before firing
Dong Nai ceramics craft is now mainly located in the southern part of Bien Hoa
city, as well as in Hoa An, Vu Hoa, Tan Van, Tan Hanh, and Long Thanh communes
where hundreds of businesses and workshops specialize in ceramics. Most of big
manufacturers such as Thai Duong, Minh Duc, Viet Thanh, Dong Thanh, etc are now
equipped with gas kilns in order to ensure stable quality and low production
costs. Bien Hoa’s ceramic articles are exported to most countries in Asia,
Europe and America
and generate annual turnover of about USD9.6 million.
In the context of today’s general trends of development toward integration,
besides foreign investment, traditional craft villages – especially ceramics
craft - play an important role in boosting the economic development of Dong Nai
province. Having the advantage of being close to Ho Chi Minh City, which is very convenient
for transportation and import-export, Dong Nai ceramics craft has all the
necessary conditions to establish strong economic relations with foreign
customers.
(Nguồn: hrpc.com.vn)